![\"images\"](\"https:\/\/i0.wp.com\/lisaflute.com\/fluteblog\/wp-content\/uploads\/2016\/04\/images.jpg?resize=190%2C165&ssl=1\")
<\/p>\nA featured work on our program for April 14 is Sylvia Glickman’s “Antigone Speaks.”<\/p>\n
Sylvia Glickman, who lived from 1932 – 2006, was a pianist and composer who devoted much of her life to promoting the under-represented work of female composers. She founded The Hildegard Institute<\/a>, named for another medieval female composer, Hildegarde von Bingen, for this purpose.\u00a0 She also co-edited a 12-volume reference, Women Composers: Music through the Ages<\/span>. Eight of these volumes have been published thus far.<\/p>\n For additional program notes about her composition “Antigone Speaks” and about Kassia, the 8th century Byzantine nun whose hymn is reference’s in this piece, click here.<\/a><\/p>\n You can find more information about this remarkable woman and composer at the Hildegarde Institute’s “People” page<\/a>, and through this lovely article:\u00a0 “A Twentieth Century Woman in Music: Equilibrium Against the Odds: The Inspiriting Career of Sylvia Foodim Glickman” provided by her friend Madelyn Gutwirth.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" A featured work on our program for April 14 is Sylvia Glickman’s “Antigone Speaks.” Sylvia Glickman, who lived from 1932 – 2006, was a pianist and composer who devoted much of her life to promoting the under-represented work of female composers. She founded The Hildegard Institute, named for another medieval female composer, Hildegarde von Bingen, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[25,3],"tags":[],"class_list":["post-2314","post","type-post","status-publish","format-standard","hentry","category-contemporary-composers","category-events"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7tV8m-Bk","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/posts\/2314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/comments?post=2314"}],"version-history":[{"count":2,"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/posts\/2314\/revisions"}],"predecessor-version":[{"id":2807,"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/posts\/2314\/revisions\/2807"}],"wp:attachment":[{"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/media?parent=2314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/categories?post=2314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lisaflute.com\/fluteblog\/index.php\/wp-json\/wp\/v2\/tags?post=2314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}