I just received these beautiful pictures of Heidi and Brian’s July 10 wedding at the Red Clover Inn in Mendon from photographer Don Landwehrle. In addition to wedding photography, Don also does some beautiful nature photography, with work currently on display at the Robert Paul Gallery. You can also check his web site here or the blog he shares with his wife, Karen (also linked above).

The week prior to Heidi and Brian’s wedding was the hottest of summer weeks, with temperatures in the 90s every day. So the rain that fell with the incoming cold front that morning was very welcome relief from the heat. As we approached the ceremony time, the very light sprinkles were intermitent and decreasing, leaving only a lightness and coolness in the air before the ceremony, with rain completely stopped for the duration (it’s really uncanny how often that happens at weddings…).

One of the highlights of the ceremony was Heidi’s mom’s reading of “I Like You” by Sandol Stoddard. As she explained before the reading, Heidi had gone back and forth about the choice of reading, considering Shakespeare and Mark Twain, among others. She happened upon this story on the internet and when she mentioned it to her mom, she said “Oh I think I have that book.” I had a brief chat with Heidi’s mom after the ceremony and got a fuller story. She had apparently given the book to her own husband just a few months before they were married – she showed me the inscription inside the book she had written to her husband – Heidi’s dad – many years ago. Heidi had no prior knowledge of the book, but coincedently happened upon it, via the internet, and decided she liked it.

I love these stories – it’s one of the greatest things about playing at weddings!

 Heidi and Brian chose “Turidae” flute/violin duo, with my daughter Mariah on violin, for their ceremony and cocktail hour. There were many emails exchanged back and forth to decide on which duo and on specific musical selections.

 

 

 

 

 

 

 

 

 

 

 

 

Heidi had played oboe in high school, and had fond memories of playing the Allegro from Bach’s  ”Brandenburg Concerto #2″, which she chose for her recessional. She really wanted to go a non-traditional route in other music choices as well. After exchanging many emails and YouTube videos, Heidi selected Bach’s “Trio Sonata in G” originally for 2 flutes and harpsichord for the wedding party processional, and Brahms’ “St. Anthony Chorale” for her processional. They also had a special moment during the wedding – a tree watering ceremony, where both Heidi and Brian watered their new tree from two pitchers. During the tree watering, they requested Loeillet’s “Adagio” from Sonata No. 1.

 

Before the ceremony, Heidi let me in on the secret that she and Brian had been taking dance lessons, unknown to any of their guests. When cocktail hour ended, and the DJ took over with the microphone and the music, one of the first events was Heidi and Brian’s first dance – a merengue – pictured below.

 

Peter and Silvia’s wedding earlier this month was a testimony to the elegance of simplicity.  They held their ceremony in the shade of two beautiful oak trees at the Three Stallion Inn in Randolph. These beautiful pictures are courtesy of Melissa Reid Photography . (Do check out her blog and web site - so many beautiful pictures!). 

Silvia and Peter chose solo flute for their ceremony. Silvia’s processional was “Sheep May Safely Graze” by J.S. Bach.  For prelude music they chose classical selections.

This wedding represented a beautiful blending of two cultures – Silvia’s Peruvian family with Peter’s American. Silvia read her vows in Spanish, with Peter reading his in English.

I had the pleasure of knowing Peter’s parents from several years back, which made this wedding a particular pleasure. Seeing so many similarities between father and son, even during this relatively brief time, was for me a particular tribute to the joys of life and love and the blending of families. The invitaion to join a family in such moments is truly a great joy and highlight of my life!

There was some discussion beforehand about both the processional and recessional – traditional vs. non-traditional, and traditional options from Silvia’s home of Peru. In the end they chose the traditional Mendelssohn’s “Wedding March” as their recessional.

If you’d like to see a few of Silvia and Peter’s pre-wedding pictures, check out my August 9 entry titled “Three Stallion Inn.”

 
Gerald and Robert with Lisa and Indigo

This afternoon, Gerald and Robert had one of those picture perfect, ideal temperature days, in the most idyllic spot I can imagine – the Meadow at the Trapp Family Lodge in Stowe. They chose cello with flute for their ceremony music. Above we’re pictured together after the ceremony – a rare occasion to be photographed with the wedding couple! I worked with fellow VAWP member Indigo Ruth-Davis for this wedding – not our first together and hopefully one of many to come! You can reach Indigo’s MySpace site by clicking here.

Gerald and Robert chose “I Dreamed a Dream” from Les Miserables as their processional. For the end of the ceremony, they chose “Somewhere Over the Rainbow.” Classisical selections rounded out the Prelude and Postlude music.

Gerald and Robert’s ceremony was rich with symbolism. Their four rings were of different varieties of gold – yellow gold symbolized Gerald’s Filipino heritage, and was worn by Robert. White gold symbolized Robert’s caucasian heritage, worn by Gerald. Each of their mother’s brought forward a jar of sand, and Robert and Gerald mixed the two kinds of sand during the ceremony to symbolize the inseparable mixing of their lives and families. There were also symbols for numerous family members not able to be present, including Gerald’s father who had passed away, as well as numerous dogs and grand-dogs who were unable to travel with them. Each had a special family member or long-time friend speak of their past lives and their journey toward sharing a life together. Few eyes remained dry for this ceremony!

And here’s the site prior to the wedding. Breathtaking! What a blessing to live in Vermont.

 

It’s really fantastic to open my email and find pictures from past weddings! Here are a couple of pictures from Olivia and Andrew’s wedding this past March at “The Essex.” The picture above is courtesy of Olivia’s aunt, Madora Hebert. The one below is courtesy of Olivia’s uncle, Tom Lavoie, who can be contacted for wedding photography at: docentediottoni@gmail.com.  

Olivia and Andrew chose “East Hill Winds” flute/oboe duo for their ceremony. Olivia has fond memories of sitting in on her Mom’s woodwind quintet rehearsals when she was little, and has always been drawn to the reed sound – her Mom plays clarinet. The ceremony was in a lovely building with an elegant staircase, from which the wedding party descended. Olivia chose to have Amazing Graze toward the end of the prelude music, followed by “Ode to Joy” as the processional for the wedding party – starting with her Mom, then the bridesmaids, two flower girls, and one ring bearer. The flower girls were a little hesitant about the descent down the stairs – must have been quite the view from up there walking toward all those people who were watching! But with a little encouragement they made it down to the wedding site just fine. Olivia chose Pachelbel’s “Canon in D” for her processional. There was a beautiful candle lighting moment in the middle of the ceremony, accompanied by “Simple Gifts.” Mendelssohn’s “Wedding March” ushered them up the aisle for their recessional.

After the ceremony we had a lovely opportunity to chat with Olivia and her Mom, Judy. Turns out that Judy and Sandra shared many mutual acquaintances from their previous years of ensemble playing, so it was one of those chats that makes you realize that it’s a very small, friendly and cozy Vermont world out there.

 

 

Here are a few pictures I took just before Peter and Silvia’s wedding yesterday at the Three Stallion Inn in Randolph. I feel so fortunate to see so many beautiful spots all over Vermont! I am so looking forward to receiving and posting the “official” pictures of wedding couples from this summer’s weddings, including Melissa Reid’s from yesterday, but it’s great to be able to enjoy and share these gorgeous pre-wedding views in the meantime. 

The Wedding Site

The Wedding Site

 It was a perfect weather day, with these beautiful old trees providing shade for the ceremony. 

The Reception Table

The little flower on the napkins seems to symbolize the beauty in the simplicity in Peter and Silvia's choices for the day.

I don’t know what it is about me and napkins lately! I just love those little flowers!  

Peter and Silvia chose solo flute for their ceremony. Silvia’s processional was Bach’s “Sheep May Safely Graze” and they chose Mendelssohn’s “Wedding March” for their recessional. Prelude music was a variety of classical selections. I’ll give more detail when I get a photo of Silvia and Peter. 

   

The view across the road

The view across the road.

More views

More gorgeous views!

 

Once I’d set up for Abby and Justin’s wedding at Tourterelle in New Haven, Vermont, this past Saturday, I decided to wander around the grounds and snap a few pictures. I also had a lovely talk with Dona Davis, the official photographer for the day, and am hoping to put up a more detailed entry about Justin and Abby’s beautiful wedding in a couple of weeks, with some professional photos! In the meantime, I have to share this beautiful location, and pre-wedding set-up, with my own far more humble photo options. I think you’ll agree, though, that with this amazing location, it’s hard to go wrong! 

I love this little pond, right next to the wedding site!

And the view facing away from the pond isn't bad either!

Here's the view across the road.

 

Nothing but gorgeous views from all angles!  

A family of ducks wandered by for a photo shoot.

Mr. and Mrs. Duck and family settling in for the festivities.

 

The wedding reception site. I love the way the "rose" napkins add the perfect final touch to a perfect setting!

The wedding reception site. I love the "rose" napkins - they lend the final touch to a perfect location.

 

Final wedding cake decorations in progress!

And the wedding site! There’s the “barn” for the reception in the back.

 

Abby and Justin chose solo flute for their wedding and reception music. The Pachelbel “Canon in D” ushered the bridal party down the aisle. For her own processional, Abby went a less traditional route, with “The Lover’s Waltz” by Jay Ungar. For the recessional, also a less traditional choice: the “Gigue” from Bach’s Orchestral Suite in D. Abby and I exchanged lots of emails and YouTube videos for these decisions! I’m looking forward to sharing more detail once I receive the “real” pictures from Dona – then you can see Abby and Justin for yourself. Just had to share these gorgeous pictures of Tourterelle in the meantime! 

The wedding arch.

  

 

Megan and Bhaskar’s was a September wedding at the Shelburne Farms Coach Barn on the shore of Lake Champlain. The day started out drizzly and overcast, but was one of those weddings where, though it rains in the morning, it did not rain during the ceremony, or for most of the rest of the day, as you can see in the pictures below! The pictures below are courtesy of Daria Bishop. Megan highly recommends Daria’s work, and it’s well worth checking her blog at http://www.dariabishop.com/weddings.html.  

Megan, Bhaskar, and Megan’s Mom Stephanie, chose flute/violin duo for their wedding music. My friend Liz Reid joined me on violin for this. They opted for prelude music that was “upbeat but wedding appropriate” to accompany their guests as they arrived. We selected primarily a combination of Mozart, Telemann and Haydn duos.

They selected Pachelbel’s “Canon in D” for the  bridesmaids’ processional, and Wagner’s “Bridal Chorus” for the bride’s processional with her father.  For the end of the ceremony into the beginning of cocktail hour, they requested “something upbeat with perhaps a slight Irish lilt to it.” We suggested “Carolan’s Concerto” for the recessional, and continued with some traditional Irish, English and Scottish tunes, mixed in with appropriate and light classical selections.  

As you can see, the morning rain didn’t make a dent in dampening anyone’s spirits! It seemed to add a misty sort of glow to the day. 

 

 

 

Check out many, many fabulous pictures of Mark and Emily’s wedding at The Round Barn in Waitsfield from a couple of weeks ago. You’ll find them at Nancy Gould’s photojournalism blog at nancygould.com. Beautiful day – just enough snow to make everything feel wintry fresh without being enough to cause any travel problems! The Round Barn is gorgeous in any season, but seems to sparkle in the winter.

Mark and Emily chose “Turidae” flute/violin duo for their ceremony.  Their ceremony music selections were a lovely mix of traditional and non-traditional. The first processional, for the mothers and the flower girls, was the Largo from “Winter” from Vivaldi’s “Four Seasons.” They chose to switch to solo flute for this first processional, and have the violin return to mark the change to the bride’s processional, the Pachelbel “Canon in D.” For the recessional, Emily and Mark chose to have the DJ (fellow VAWP member Newton Wells) play Van Morrison’s recording of “Everyone.”

“By the winding stream we shall lie and dream;

We’ll make dreams come true if we want them to;

Yes all will come play the pipes and drum;

Sing a happy song and we’ll sing along.”

 

Kelly and Justin's Recessional

The  Church of Our Saviour  is considered the best kept secret in Killington. On a dirt road just a couple of minutes from Route 4, walking up to this beautiful and historic stone church feels like being transported to Ireland or Wales a couple of centuries ago. I kept wondering if there were fairies lurking in the woods – it just felt magical right from the start. And what could be better than a brilliantly sunny and warm day in late May? Above are Kelly and Justin’s recessional at the end of their ceremony, walking out to Mendelssohn’s “Wedding March”. And here they are below about to exit the church – into that gorgeous sunshine!

Kelly and Justin chose flute/piano duo for their ceremony, with myself on flute and my friend Alison Cheroff on piano.

In most respects, Kelly and Justin’s wedding was a beautiful and traditional, old fashioned, church wedding. Kelly was clear, though, that she didn’t want the traditional processional choices.

For the prelude, Alison and I played primarily sonatas by Bach and Handel.

For the bridemaids’ and flower girls’ processional, we suggested “Sinfonia” from “Cantata No. 156″ by J.S. Bach, based on general preferences Kelly had voiced.

For Kelly’s processional, she selected the “Meditation” from “Thais” by Jules Massenet. I’ve often thought since that we need to record those arrangements! Perhaps this summer…

Kelly particularly wanted the hymn “On Eagle’s Wings” by Michael Joncas to accompany communion during the ceremony, also one of my personal favorite hymns, and definitely the flute/piano arrangement is my favorite!

The recessional was the traditional choice: the Mendelssohn “Wedding March”.

And below is the receiving line and the outside view of the church.

 

photo courtesy of Jay Ericson, www.jayericson.com

                                                                       photos in this entry courtesy of  Jay Ericson: www.jayericson.com

I’m having a blast here! It’s so incredibly fun to be receiving these photographs and remembering so many beautiful moments.

Megan and Ron’s ceremony was at the lovely and historic First Congregational Church in Manchester, Vermont last August.  Here are some of Megan’s flowers, courtesy of  floral designer Jennifer Johnston.

Megan and Ron’ s ceremony was a classic, old fashioned church wedding. I remember Megan’s huge smile and enthusiastic and heartfelt nod of the head when the time came for “I do!”

Megan and Ron chose “Turidae” duo  for their ceremony, myself on flute and my daughter Mariah alternating between harp and violin.

Prelude music was a mix of classical and Celtic. Megan chose the traditional Irish tune “Chanter” to be played on flute and harp toward the beginning of the prelude, and “Danny Boy,” also flute and harp, toward the end of the prelude, after guests were seated and just before the processionals. Megan and Ron’s choices for the ceremony were quite traditional:

The processional for the maid of honor was ”Air” from Handel’s “Water Music,” again with flute/harp duo.

Megan’s processional: “Canon in D” by Pachelbel, this one with flute/violin.

The recessional: Mendelssohn’s “Wedding March,” flute/violin again here.

Megan also recommends Marie-France Eloi at www.cuisinelucette.com, for her beautiful and scrumptuous cake, pictured to the right:

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